Tag Archives: whitney houston

Best “Ah-ha” moment

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One of the best “ah-ha” moments about my voice came to me the summer I had a quaint little gig in the bar area of a classy restaurant. It was a quiet room that only sat about 6 people at the bar, and had six tables in a room approximately 20′ X 20′.

I had a small speaker system that was a perfect set-up for me and my digital piano. Now, the point I’m making here is how I learned to sing better that summer.

Prior to this, I always sang in bands. Loud bands. Big bands.

This experience was revolutionary for me.

You could hear a pin drop at times. My job was to entertaining the romantic couples who were waiting for their table, or who came in after dinner for a dance or two before going home. My job was to sing my heart out without being annoying loud.

Have you ever tried to sing/belt your heart out to a Celine Dion, Whitney Houston, or Kelly Clarkson tune, without being too loud? It’s an interesting combination, and one that is the key to your success as a strong singer.

I must say I did this well, and got better at it week after week.

The effort came from deep within. Almost deep within my soul, if that makes any sense. I had to take in huge breaths to build enough pressure to create the illusion of singing loud and belting. With careful play on the microphone, I was able to add emotional intimacy to my voice on the verses (usually the lowest pitches of a song), and then build intense dynamic power by increasing the strength and breath pressure in my body for the choruses.

Yes, the choruses were a bit louder, and I would simply back of the mic just enough to create that build up of intensity that matched the intensity of singing close to the microphone in the verse.

Does any of this make sense to you?

Questions? Comments? Please let me know below.

 

Great ladies of voice

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Why do we love Adele’s voice so much? Or Whitney Houston, Celine Dion or Christine Aguilera? Sure, it’s because they exude so much drama and passion when they sing, but how do they do that?

The ability to portray what you are feeling in a technically correct way is really what we are talking about here.  Once your voice is mixing and you are accessing your head voice with ease every time you open your mouth, then is the time to challenge yourself vocally with dynamics and different vocal textures.

These singers all display a wide variety of vocal textures and color, and a lot is due to their ability to change from thick cords to thin cords throughout their entire register. (Well, let’s just hope Adele is training to do more of this, so she doesn’t cause damage again to her cords on her next tour).

These singers can easily “back up” their voice to the “fry” level,  as well as, safely belt hard and strong. Their vocal cords are resilient and can withstand a huge amount of breath pressure.

IMHO, it’s only Christine who at times belts purposely without mixing. This is that dull yelling/groaning sound she makes in the back of her throat when she’s not allowing the resonance to go into the “mask” (in other words her head voice). But get this, Christine is no amateur. This lady chooses to do this coordination (pull chest). She knows her voice well. Christine can do cartwheels through her first passagio when she wants. In one phrase she’ll sing with thick cords and pull her sound as high as she can in the back of her throat. Then, in the next phrase, she’ll thin out her cords and soar easily through her first bridge and even up through her second!  Christine has her vocal ability mastered. Just listen to her speech. I detect no rasp or fry damage….just clean, crisp cords that haven’t thickened too much over the years from extreme use. She knows her voice is big business, and she takes care of it well.

Adele has very thick cords (a naturally big and loud voice) and I don’t think she had ever really learned the importance of thinning them out regularly to allow for flexibility and endurance while singing so hard on the road. Everyone knows about the vocal problems she has had.  Hopefully she will still be able to amaze her audiences with her huge voice, and stay away from vocal damage on her next tour.

Whitney’s voice was superb in her day. The problem was, of course, her lifestyle choices and simple lack of attention to details to maintain a  healthy voice over the years. Her ability to thin out the cords deteriorated. What was once an easy soar through her entire range, became a huge challenge because the cords were no longer able to master this co-ordination. This is not unlike maintaining good physical technique and stamina to achieve a long list of physical abilities. For example, playing the piano, ballet dancing, perfecting your golf swing. The list goes on.

I admire Celine Dion. This woman is in total control of her vocal destiny. She is known for not talking before shows, mastering warm-ups, cancelling shows when she knows she is not healthy. Here is a singer who pays close attention to her technique and abilities on any given day.

I hope this post has inspired you to continue your journey to sing better every day. Keep learning and keep addressing your vocal issues, so you become the best singer you can be!

 

Analysis of Female Belters and the Star-Spangled Banner

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Recently Christine Aguilera performed the Star-Spangled Banner at the Superbowl. This poor performance was more than just forgetting the words. In this post I hope to provide valuable information to female singers worldwide about the importance of key choices and style choices of songs they sing. I will compare famous pop singers who belt and link to their Star-Spangled Banner performance.

First, you will need to know the first female passagio is around A above middle C (middle C is C4). This “bridge” is the transition between your lower voice (chest) and your high voice (head). It is more than just one note, it is a “passage” of usually 2-3 notes…anywhere from A flat to B flat. Do you notice that when you sing in this area, it feels different? This is where your voice needs to “mix” well so you can transition well into your higher register.

Watch Christine Aguilera’s performance here. http://www.youtube.com/watch?v=OpCFpYLPw74
Her key choice is F major. The “big note” on the words red glare and the last line free is C above middle (C5). A good belter has no problem hitting this note. Unfortunately, Christine was not well prepared for this performance. She started very shouty and never got “in the mix”. She basically got stuck in her chest voice and had to flip for the big note at the end. I think the reason she forgot the words is because she realized straight away that she was not mixing well, and was in trouble for the big finish. She knew her energy and focus was off, and it reflected not only in the lyrics, but also in her voice.

Watch Jennifer Hudson’s performance here. http://www.youtube.com/watch?v=GE-7YqwZZ4o
Jennifer’s key choice is A major. This performance is spectacular. She is one of the best “mixing” chest belters in the business right now. What the listener may not realize is that Jennifer is belting C#5 in the second line on the word proudly and this is already a higher note than Christine’s “big note” of C5. Listen to how Jennifer can slip easily into her dynamic range of loud and soft within any given phrase. This ability means she is definitely mixing well. Christine’s voice on the other hand would not have been able to decrease in volume without “flipping” into a heady sound.

Watch Mariah Carey here http://www.youtube.com/watch?v=E-Hw-0_JOys
Mariah’s key choice is E major. This is a semi-tone lower than Christine’s. Mariah is a fabulous “mixer”. Listen to her delicate weaving back and forth in the mix at the beginning of the song. I am disappointed that she picked such a low key. Her “big note” is only a B4…..however…..I guess that’s not really true…because on the words free she shows us her fabulous super head voice which I believe is a B6. This will be why she picked the Key of E major so she could fit this note in. I would have preferred a higher key and have her leave the super high note out.

Watch Beyonce here http://www.youtube.com/watch?v=DWgZ_MSMHgw
Beyonce’s key choice is G major. Love this key and performance. She saves the belt for the appropriate spots in the song. She has a beautiful mix throughout.

Watch Whitney Houston here http://www.youtube.com/watch?v=fqqL_LRWyJs
Whitney’s key choice is A flat major. This is, of course, when Whitney was belting and mixing superbly. This performance is A+. Whitney’s decline in vocal ability over the last few years is a prime example of not taking care of your instrument. Her choice of lifestyle has all but destroyed her voice…..very sad to say the least.

Watch Faith Hill here http://www.youtube.com/watch?v=WJI_rlar68M
Faith’s key choice is G major. This is a good performance for Faith. She is mixing well. You can hear her carefulness at the beginning of the song, to be sure to include her head resonance in the low notes. This is important so that as she ascends she can stay well in her mix. Indeed, there is a beautiful balance in her belting notes of B4, C5 and D5.

Watch Kelly Clarkson here http://www.youtube.com/watch?v=tMuaXm0Ps2E
Kelly’s key choice is E major. A very low key choice in my opinion for Kelly. This was I suppose a safe choice, but she can definitely belt higher in her mix. The “big note” is only a B4. Also, I feel she is rushing through the song. It could have been a touch slower with more emotion.

Watch Celine Dion here http://www.youtube.com/watch?v=Z53EROEjCsA
Celine’s key choice is G major. This really is the optimum key choice for this song. I would have preferred to hear her start a little more subtle in dynamics. But, nonetheless, Celine is one of the best chest belters in the business, and this performance only proves that. Her big notes are B4, C5 and D5. This key allows the biggest part of the song to stay just under the next passagio which starts around D#5. Perfect key choice for chest belters.

Watch Carrie Underwood here http://www.youtube.com/watch?v=ePMrIe5SBqw
Carrie’s key choice is F#. Good performance for Carrie. She is mixing well and her belt is strong from A#5 through C#5.

Watch Taylor Swift here http://www.youtube.com/watch?v=VbvMDTkdoKE&feature=related
Taylor’s key choice is E major. This is about the only key she could safely pick without having trouble at her bridge. Taylor is not a good mixer. Her big notes are G#4, A#4 and B4.

Well, there you have it. For anyone wanting to practise their chest belting I suggest you “copy” Jennifer Hudson and Beyonce. Get the feel of their gentle, relaxed mixed voice, which then leads into a beautiful mixed belt at the climax of the song. Work your belting this way, and you will get stronger the correct way. The reverse is true for copying singers who belt in their low range. You run the risk of not being in a good mix, and therefore you will get stuck. This kind of voice can rarely sing well above a B flat or high C. And, while I admire Christine Aguilera’s talent, I highly suggest you never ever try to copy her voice. You are only asking for trouble.

I appreciate your comments or questions. Why not drop me a line.