I’ve talked about the “mixed voice” and how to find your “mixed voice” before. This is a term created by Maestro Seth Riggs in his Speech Level Singing method years ago. It is also used by Brett Manning, Roger Love, Dave Brooks, and countless other top-quality singing coaches from around the world.
There is a lot of controversy surrounding this term in the singing community. Some singing teachers from around the world cringe when they hear the term “mixed voice”. I believe this stems from the fact that we physically do not actually have a “mixed voice,” and the fact that many singers do not actually know what it is, what it should feel like, or how to get it.
However, I believe all singing teachers will agree that we do have a chest register (or chest voice as referred to by SLS), and a head register (head voice as referred to by SLS). These are two terms that have been around for hundreds of years, and are commonplace in a singer’s vocabulary.
I tell my students that a mixed voice is simply the ability of a singer to ascend or descend in pitch between their chest register and their head register without constriction, and with the appropriate balance of both registers. Every singer knows about those whacky areas of their voice where singing gets a little tricker. This area, called the bridge or passagio, is where the larnyx and the body need to make careful adjustments in order to sing higher without constriction. In SLS, coaches do this with carefully selected scale combinations of vowel (resonance), consonant (cord closure), and volume (air flow).
I, frankly, like the term mixed voice for myself and for my students. For myself, it is a balanced sensation (or state) that I exercise daily with scales to keep my voice healthy, strong, and flexible. I don’t use the same blend of mixed voice when I perform because I prefer to sing harder at my gigs. That is a choice I make. I am self aware of my vocal limitations, and trust me, we all have them!
Do you have questions or comments. Please leave them below! Thanks.