The interesting voice of Alanis Morissette

Yes, there are loads of professional famous singers who sing with a high larynx. It’s their signature sound. It’s their uniqueness.

Do I recommend it? Absolutely not. It’s very limiting, tiring, and IMHO, usually not a marketable sound.

The key is the ability to sing with a larynx high (if one choses for artistic reasons, and to sing with the larynx stable and neutral if one choses). This is the case of Alanis Morrissette. I happen to think she is wildly creative and a very unique and interesting artist.

There are many important qualities that help the position of a high larynx create a manageable and non-straining sound. Optimum breath control and agility, strength and flexibility of the vocal cords are paramount.  The ability to produce oral twang and maintain strong oral resonance allows the singer to produce frequencies that appear loud and piercing to the listener.  Also, a singer needs control and ease of the jaw and tongue. This allows optimum freedom to form their speech-like voice with interesting and unique enunciation of vowels and consonants.

 

Get that sound out of the back of your throat

I know how it feels. I know you want to control it. I know it’s uncomfortable.

But, if you want to take your singing to the next level, you need to be willing to let it go.

That’s right, let go. Stop relying on the inside of your throat, tongue and jaw area to help you control your sound, and let the sound go. I know it’s breathy. That’s OK. Experience it. Let’ go of it and start in the correct places to get control of it.

Control start deep down….way down. When you breath in, visualize your entire belly and groin area expanding to allow your breath to go low and deep. Allow your abdomen to rhythmically expand and relax with the timing of your breathing.

Be sure to allow your body to maintain that bouyancy sensation of your ribs and abdomen slightly expanding as you breath in, and slightly returning as you exhale. But, don’t let this spongy, bouyancy feeling of breathing in your body leave you. You can control it. You can go about your daily chores and activities with this sensation all day long. It may be uncomfortable. It may feel like you are expanding your rib cage and your back, and your upper belly in an unusual way. Learn to welcome it, learn to engage it, learn to live with it. You are re-learning how to breath like you did when you were born….diaphragmatic breathing.

Next, is learning how to take in a quick, small sip of air that will accompany your breath support when you go to sing. Notice I said small. At this point, that’s all you really need to sing your phrases. However, if you need a little more, your body will tell you. Typically it’s not the amount of air you take in that matters right now, it’s how you are taking it in, and how well your body is controlling it. It’s the quick, rhythmic intake that sets you up for that first onset of making great sound happen.

Spend some time getting to know your breath. Your singing will thank you for it. It may not feel exactly like mentioned above, but if you allow yourself to get in touch with your own breath, amazing things can happen!

It’s time to build

So, you are mixing. You have control of your larynx (not too high, not too low), and you are accessing the edges of your cords everyday through exercise, and getting good closure throughout your range. What’s next?

Build up of the voice to the next level is not effortless. In fact, the next level happens beneath the vocal cords. It’s your breathing.

That’s it. Maybe now it’s time to step it up and take in more breath.  But be careful, this does not mean let more breath out.

In fact, it’s quite the opposite.

If you are mixing with good resonance and cord closure (as mentioned in paragraph #1), then it’s time to make your body work harder.

Practise taking in deep breaths that make your belly extend. Hold it there. Feel the suspended feeling? Feel the buoyance to your upper chest and body? Feel the pressure build up down yonder in your genitals and rear end? There are many visuals that can help you achieve this sensation.

1. Imagine an open umbrella where the cover moves freely, in your abdomen (the open top imitating your rib cage). Not an umbrella that collapses, but an umbrella that waves from open to a little less open in a suspended, wavy but firm, motion (this is you breathing in and out).

2. Imagine holding up one of those plastic, floating, swimming devices around your mid to upper abdomen.  Keep in mind that you must still breath in and out, and keep this sensation of holding up the floating device. Feel the relaxed nature of the rest of your entire body as your abdomen and ribs are expanded while you breath. Notice as you take in the air, the device will tighten a bit around your upper abdomen. The abdomen will naturally fall in a little as you expel some air, but the sensation of holding up the device remains at all times. If this is totally uncomfortable or you feel lightheaded, then take in less air, and engage in these sensations and visualizations using less air.

3. As you expel air while breathing, engage in the pressure feeling of bearing down and build up that happens below your belly button. Control this feeling, learn to love this feeling, get familiar to this feeling; this is your breath support. Once you tap into the sensation of pressure build up in the lower abdominal area, genital and butt area, simply experience it while breathing. Remind yourself that this is your new way of breathing. This is the sensation that you will carry with you all day long while you continue to practise your new way of breathing.

You can use these sensations every minute of every day to help with your voice. You will notice your speaking voice will “pop” with ease when speaking. You will notice the rest of your body (your arms, legs, neck, head, jaw) simply relax into this unique, natural body effort that comes from deep within.

This way of breathing will help you in all facets of your life. You will feel more energy and more alive. Try to find that balance where you can manage these sensations throughout your entire day; not just when you’re singing.

Questions? Comments? I look forward to answering any questions.