Were you labelled tone-deaf?

Teachers have learned a lot from the previous generation. We have learned that one of most detrimental things that can be said to a child is that they sound bad and they can’t sing. These children grow up into adults who have never experienced proper pitch matching in a song, and therefore have never really experienced the true joy of singing. They have been labelled tone-deaf.

Many children who have trouble singing on key are children with deep or lower speaking voices. Music played in elementary school is generally written in a key that takes the song up to and over high C. This can be challenging for children whose speaking voices are lower because their speaking voice is further away from their head voice.

When encountering a child who has trouble with pitch, it is necessary to first put songs in the key that is close to their speaking voice. This is where singing starts….at speech level. Then raise the key of the song by semi-tones with careful attention to the pitches that start getting higher than A above middle C. This is where their speech level must adapt to get the correct pitch. Do simple 5 tone scale exercises with them, and make sure they match the pitch. Give them lots of praise when they find the coordination that is necessary to find those pitches. Let them know when they are doing it correctly, so they know what they have to do …. over and over and over. Once they memorize the feeling of singing in their head voice, they will have much less trouble matching pitch.

The same theory goes for adults who have trouble matching pitch.  An adult needs to find the right teacher who can help retrain the vocal cords to stretch out and thin as they go higher in pitch. It will probably take longer to retrain an adult than a child simply because an adult has been in the habit of singing off key for much longer. Their vocal cords have not been experiencing the coordination necessary to match pitch and sing higher pitches.

When it’s not perfect….

Have you experienced this….you can’t hear yourself singing in the monitor above the noise, or you have a cold and you’re really worried about the high note that is coming.

Conditions are not going to be perfect. Trust me, been there, done that. You know, there is this saying about going with the flow…….have you heard of it? Sure you have!

Somehow, some way, you are going to find the way to make this experience the best it can be. When you roll with the punches, your audience will not even know things aren’t perfect. Trust me. And even if they do, (because maybe you told them), it’s the way you handle it that matters. Singing through a tough cold but having fun and putting on a great show goes a long way. I know it’s not ideal but sometimes you have no choice.

Your facial expressions need to reflect that everything is A-OK, even if it’s not. You owe it to your audience. You are a professional…..you owe it to yourself to be the best you can be.

You can always learn to sing better…

This is for all the adults who were too shy to sing as a kid, and now as a adult you love singing along with the radio, but you wish you could to it better. Here are a few tips to try…

1. Use a set of good headphones to listen to an easy song by one of your favourite artists.

2. Listen intently and try to mimic the words and expressions but without making a sound. In other words, pretend you are that performer and articulate every word with clarity and preciseness.

3. When you are ready to add your voice, take one side of the headphone off and leave the other side on. You must be able to yourself as well as the performer. 

4. Now sing quietly but intently with the performer. Make sure you are enunciating the words clearly and with expression. Be careful to be on exact pitch as the performer. Remember, you are not trying to mimic your interpretation of the performer’s sound, you are mimicing the consonants, vowels and phrasing.

5.  Remember you are doing this quietly, but not quiet like a whisper, but quiet like you are talking…..just like talking on pitch.

6.  If you find yourself needing to be louder as you go higher, then you are not approaching this exercise correctly. The voice needs stay at the same volume on the low notes as the high notes.

7.  To help find what the high notes will feel like, try a “cry” approach, or a dog whimper to the pitch of the high note. Notice the thinness of your voice when you are in your head voice. Remember, your goal is not to match to “sound” of the performer, but rather the “pitch” of the performer. Sometimes just lightening up on the high notes will usually create the correct connection. This may be very breathy but you are going in the right direction.

9. Now with practise you can start to “lean” into the notes. This should help eliminate any extra air getting through. 

10. One last tip — be true to your voice. It should not be your goal to sound like the performer in the song, it should be your goal to sing the song with your voice to the best of your ability.

Let me know how this exercise worked for you. Do you have any questions?

Freedom to express yourself….

Ahhh, we are so blessed to live in a country and culture where we can sing and express ourselves without being locked up or banished. Notice, I didn’t say judged. I wish it were easier for singers to just free themselves from the concern and worry of being judged. Expressing yourself through singing should come from your true self….your inner self. It’s hard to bare your soul through song…especially when you know that some listeners will just not get it. But that’s the point, isn’t it? Who are you singing for? You or the listener? If you are not singing for yourself, then ……. well, why bother?

Singing with Emotion…

When someone wants to learn how to sing better, there are quite a few angles that can help. Technique is obviously very important, and a huge part of the puzzle is being able to sing and show “emotion” in your voice.  How do you know if you are singing with emotion? Well, for me as a listener, if a singer can make me “believe them” then they are emotionally reaching me with their song!

“Feel” Your Voice, Don’t Just Listen

Good singing originates from the sensations you feel. When you sing a note that is close to your speaking voice, you should feel it resonate in your chest. Put your hand on your chest and try it, but don’t push or sing too loud. Singing (and talking) should be done at a comfortable “medium” volume. As you sing higher you should notice the resonance starts to leave your chest and you should feel a sensation in your mouth and the top of your palate and teeth.  As you start to go even higher the resonance shifts to the back of your mouth in the soft palate. This is where a lot of singers try to adjust their sound by reaching for those notes. Instead of “reaching” for the notes you should approach them with ease. Yes, the sound will be lighter but it will be true. Learn to “feel” what your voice sounds like in this relaxed state. This step is necessary in the process of creating a balanced sound that connects your entire voice from low to high.

That’s my head voice?

Have you ever had an “ah ha” moment? Well, that’s what happened with my adult student today and it was her first lesson.

She had developed the habit of only using her chest voice to sing. She ignored her head voice. I guess she didn’t like the sound. It’s actually quite a common habit among singers.

The problem is if we ignore our head voice, then we can’t reach the high notes “appropriately”. That is, with a “mixed voice”. Oh, you may be able to reach that high note, but what does it sound like? Is it wide and splatty, and overall just plain not nice to listen too? Probably.

You see, you can’t get a nice sound on a “high” note without using some of your head voice. That’s why you need to learn how to mix the chest with the head so you get a balance of each.

Are you not sure what is your head voice? Well, try to sing the vowel “oo” (like the hooting of an owl), and make high sounds……like the siren of a fire truck or ambulance. Is it breathy? Then you are likely using falcetto…..that is not your head voice. Try again, but don’t let the high note be breathy. Lean into it a bit. There you go, that’s your head voice!

I Just Want to Sing Better!

There are many reasons why the voice may not do what you want it to. Today lets talk about vocal strain! This is probably the most common reason singers have trouble. Quite often the strain is caused by the muscles in the throat tightening up when the singer goes for higher notes. How do you know if these muscles around the larynx are tightening inappropriately when you sing? Does your larynx rise up when you try to sing a high note?

Sometimes the only way to know is by having a professional watch and listen to you sing.  With the help of a  good vocal coach you can learn the best way to sing through your entire range and get the sound you want.  When your voice is exercised properly and regularly (yes, just like going to the gym), then singing becomes as free as talking………and that’s the way it should feel.