Seth Riggs says take voice in a “Speech Level Singing” studio not at university…

Seth Riggs is considered by many to be the best and most successful voice teacher in the world. He is certainly the busiest. No other teacher, past or present, has ever matched his phenomenal track record. His students are a veritable “Who’s Who” of singers, actors, dancers, and entertainers throughout the world. He teaches opera singers, rock singers, jazz singers……..any kind of singer.

He recommends that singers who want to work in the music business take singing lessons outside of university. Here’s why……..university teachers will teach you opera. This does not strengthen the “mix” which is what singers need to do in order to sing in the 21st century of rock, pop, country and jazz music. Singers need to learn how to negogiate through their bridges so they have a proper mix of chest and head voice through all their registers.  This will allow them to sing any style they want………….even opera!

Oh no! I’ve lost my voice again!

The dreaded laryngitis. It’s not uncommon among singers, especially during the winter season. You’ve just got over that cold virus,  and you sang too “hard” and talked “too loud” at the party last night, and now you are paying for it. The problem is you need to sing again tonight!

Unfortunately, there is no easy or fast fix. If you don’t learn how to treat your vocal cords properly and with care, then you will end up with swollen cords that can take weeks to return to normal.  

Instead you need to learn how to sing with dynamics and emotion without blowing so much “force” through your cords. Here is a test. Try to sing your favourite songs with intensity, emotion, and dynamics in your house while someone is trying to sleep! You can’t sing loud or you will wake them, but you can’t be boring while you’re singing. Can you do it? Do you have passion and intensity in your voice while trying to sing quietly?

There are exercises that can help you do this better. Learning how to “lean” into the notes or “press” into the notes creates intensity and warmth in your voice and you won’t need  much air to get louder sounds.  Singing high notes is especially difficult to do quietly…….but a good singer can do this! Working on the “cry” in your voice in the high register will help start the “attack” of the note, and then you lean into the note to sustain the warm tone. All of this is done with very little breath coming through your vocal cords!  Instead, the breath is held back by the vocal cords and is “under pressure” behind your vocal cords.

Let me know what you think? Did the exercise work for you?

Singing with Emotion…

When someone wants to learn how to sing better, there are quite a few angles that can help. Technique is obviously very important, and a huge part of the puzzle is being able to sing and show “emotion” in your voice.  How do you know if you are singing with emotion? Well, for me as a listener, if a singer can make me “believe them” then they are emotionally reaching me with their song!

“Feel” Your Voice, Don’t Just Listen

Good singing originates from the sensations you feel. When you sing a note that is close to your speaking voice, you should feel it resonate in your chest. Put your hand on your chest and try it, but don’t push or sing too loud. Singing (and talking) should be done at a comfortable “medium” volume. As you sing higher you should notice the resonance starts to leave your chest and you should feel a sensation in your mouth and the top of your palate and teeth.  As you start to go even higher the resonance shifts to the back of your mouth in the soft palate. This is where a lot of singers try to adjust their sound by reaching for those notes. Instead of “reaching” for the notes you should approach them with ease. Yes, the sound will be lighter but it will be true. Learn to “feel” what your voice sounds like in this relaxed state. This step is necessary in the process of creating a balanced sound that connects your entire voice from low to high.

That’s my head voice?

Have you ever had an “ah ha” moment? Well, that’s what happened with my adult student today and it was her first lesson.

She had developed the habit of only using her chest voice to sing. She ignored her head voice. I guess she didn’t like the sound. It’s actually quite a common habit among singers.

The problem is if we ignore our head voice, then we can’t reach the high notes “appropriately”. That is, with a “mixed voice”. Oh, you may be able to reach that high note, but what does it sound like? Is it wide and splatty, and overall just plain not nice to listen too? Probably.

You see, you can’t get a nice sound on a “high” note without using some of your head voice. That’s why you need to learn how to mix the chest with the head so you get a balance of each.

Are you not sure what is your head voice? Well, try to sing the vowel “oo” (like the hooting of an owl), and make high sounds……like the siren of a fire truck or ambulance. Is it breathy? Then you are likely using falcetto…..that is not your head voice. Try again, but don’t let the high note be breathy. Lean into it a bit. There you go, that’s your head voice!

I Just Want to Sing Better!

There are many reasons why the voice may not do what you want it to. Today lets talk about vocal strain! This is probably the most common reason singers have trouble. Quite often the strain is caused by the muscles in the throat tightening up when the singer goes for higher notes. How do you know if these muscles around the larynx are tightening inappropriately when you sing? Does your larynx rise up when you try to sing a high note?

Sometimes the only way to know is by having a professional watch and listen to you sing.  With the help of a  good vocal coach you can learn the best way to sing through your entire range and get the sound you want.  When your voice is exercised properly and regularly (yes, just like going to the gym), then singing becomes as free as talking………and that’s the way it should feel.